Professor Alicia Gaspar de Alba is a celebrated writer and scholar. A founding faculty member and former chair of the UCLA César E. Chávez Department of Chicana/o Studies (2007-2010), Alicia Gaspar de Alba’s work explores gender and sexuality, Chicana/o art, popular culture, and border studies. Known to her students as La Profe or Gaspar, she teaches courses on border consciousness, bilingual creative writing, Chicana lesbian literature, and barrio popular culture, as well as graduate courses on Chicana feminist theory, aesthetics of place, and Latin@ noir. In addition to her work in Chicana/o Studies, since 2013, Gaspar has served as Chair of the LGBT Studies Program. Under her leadership, LGBT Studies is in the process of developing a graduate program. Gaspar’s doctoral dissertation “Mi Casa [No] Es Su Casa: The Cultural Politics of the Chicano Art: Resistance and Affirmation Exhibit” won the 1994 Ralph Henry Gabriel American Studies Association Award for Best Dissertation, and is the basis for her 1998 book, Chicano Art Inside/Outside the Master’s House. She also received a 1993 Ford Foundation Dissertation Fellowship and a 1992 Chicana Dissertation Fellowship from the University of California, Santa Barbara. In 1999, she was awarded a Rockefeller Fellowship for Latino/a Cultural Study at the Smithsonian. In 2008, she was awarded the UCLA Gold Shield Faculty Award for Academic Excellence.
- PhD, American Studies, University of New Mexico (1994)
- MA, English-Creative Writing Concentration, University of Texas at El Paso (1983)
- BA, English, University of Texas at El Paso (1980)
- Chicano/a Art
- Popular Culture
- Border Studies
- Gender and Sexuality
- The Maquiladora Murders
- Creative Writing
- [Un]Framing the “Bad Woman”: Sor Juana, Malinche, Coyolxauhqui and Other Rebels with a Cause
Edited by Alicia Gaspar de Alba
University of Texas Press (Chicana Matters Series)
One of America’s leading interpreters of the Chicana experience dismantles the discourses that “frame” women who rebel against patriarchal strictures as “bad women” and offers empowering models of struggle, resistance, and rebirth.
- Our Lady of Controversy: Alma López’s “Irreverent Apparition”
Edited by Alicia Gaspar de Alba and Alma López
University of Texas Press (Chicana Matters Series), Spring 2011
Months before Alma López’s digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.
Making a Killing: Femicide, Free Trade, and La Frontera
Edited by Alicia Gaspar de Alba, with Georgina Guzmán
University of Texas Press
Since 1993, over five hundred women have been murdered and mutilated in Ciudad Juárez, Mexico, and at least a third have been sexually violated as well. Such violence has gone by uninvestigated, unpunished, and unresolved by Mexican authorities, thus creating an institutionalized and sanctioned violence against poor Mexican women and girls on an increasingly globalized U.S.-Mexico border.
Making a Killing book review by Margaret Randall
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